Videos from “Mascot” Lecture

For those of you so inclined… here are some video clips from my May 10th lecture at the Cabildo. I tried to break them up in clips that I thought was coherent. Here you go – in order. Also noted a few of my mistakes in the video descriptions! :0

 

 

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From my lecture’s program…

Brief History of the Mascot

 The Mascot debuted on February 18, 1882. Founded by J.S. Bossier, Joseph Livesey, and George Osmond, during its thirteen-year run the weekly illustrated journal inspired multiple libel suits, frequent jail time for its editors, various office shoot-outs that resulted in the deaths of three people in separate incidents, and duels between its editors and some of New Orleans’ most prominent and public citizens. The uproar and the tremendous popularity the Mascot was afforded in its hometown even made the pages of the New York Times and Los Angeles Herald. While most newspapers of its day used architecture, animals, or classic art designs in their logos, the Mascot used a woman as its symbol for its ruthless “truth seeking.” Ironically, the newspaper that equally enraged and delighted citizens took its name from the 19th century French comic opera La Mascotte about a peasant girl who brings good luck to everyone as long as she remains a virgin. The Mascot heroine, while virginal, had no qualms about openly criticizing and holding accountable powerful men that frequently operated under a centuries-old protective shroud of authority and privilege.

The Gilded Age in America was a time when many Southerners struggled to hold on to their old customs, while the country around them raced toward the 20th century. During a time when many editors needed to be as quick with the pistol as they were with the pen, freedom of the press often meant the freedom for men to violently retaliate against newsmen by whom they felt slandered. There was a complex shift in the social strata that still valued the right for all to safeguard their reputation, but adopted the dangerous precedent of now legally excusing those who fought and killed in vindication of their name. Men who believed they were slandered demanded justice first in a hybrid dueling-vengeance fashion that half resembled the rigidity of the old dueling code and half a Wild West shoot-em-up. Nevertheless, while dueling and murder now inescapably warranted legal action, the New Orleans judicial system, in taking one step toward progress by prosecuting those involved, still held on to its antebellum beliefs, as evidenced by the relatively light or nonexistent punishment of those who murdered or attempted to murder for the sake of their good name. The courts could not prevent newspapers from printing what they wanted, but they could grant leniency, and did, to those who chose to act out their enmity with revolvers. As witness and commentator to this age, no publication captured the corruption, scandal, and political shift in New Orleans during this time of transition quite like the Mascot.

New Orleans sought to maintain a measure of civility but it was impossible to sustain while functioning under a system of opportunistic vigilantism. Personal autonomy always exists within the bounds of law and order, and during this time citizens struggled to find a balance between the two, only to have it result in the exoneration of senseless murders and the validation and acceptance of violent retaliation. The old saying “the truth hurts” is still relevant today, but in Gilded Age New Orleans printing the truth not only hurt, it often resulted in death.

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Photo Recap of Cabildo Lecture

A Photo Recap of my May 10th lecture on the “Mascot” at the Cabildo.

The Cabildo Awaits!

Glenn, Trixie, Beth & Scott

Shane & Lisa

Trying to stay calm about the "Mascot."

The audience

The masterful Andrew

The Masterful Andrew

Veronica nailed the Irish accent

Trixie calls out a female bicyclist

Lawsuits and duels and shoot-outs - oh my!

Walking to Flanagan's Pub

Catching Up

Some of the crowd

Sweet Ashley - I think my exhaustion is showing at this point

Boys & Girls

:)

 

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Thank you

My first historical lecture is over and I have many people to thank. The Cabildo said that it was the largest gathering they ever had, and some people in the back were even standing. I have many people to thank for that.

First – thank you to all of my friends who came out in support. It means a great deal to me. While I was touched by many friends who came out, I was also surprised to find that I did not know most of the audience. I am sure that this is the result of marketing from many people.

Thank you Arthur Smith of The Cabildo for helping get the word out.  Thank you Scott Frilot for your fantastic postcard design.  Thank you to John Haffner for dropping off said postcards to over a dozen different spots.  Thank you Ashley Perkins of Tulane Alumni Relations for sending out the event to their alumni.  Thank you George Ingmire for letting me and Andrew Ward come on your fabulous show on WWOZ.  Thank you to my amazing amazing “guest stars” for their cross promotion.  Speaking of my talented guest stars, here is a little something about them…

 

My talented readers

Andrew Ward: Andrew is one of the founders and president of the board of the International High School of New Orleans, Louisiana’s only public high school that offers a full college preparatory curriculum with a focus on international business studies as well as immersion classes in French and Spanish. He works as a guide with Haunted History Tours, is an ordained minister, and is an announcer and emcee for such events as Freret Market, the Running of the Bulls in New Orleans, and the St. Andrew’s Day Festival. He is currently pursuing a doctorate at Tulane University’s Payson Center for International Development and working with Tom Larson on an album of traditional gospel, bluegrass and New Orleans-style songs translated into Urdu.

Veronica Russell: Veronica is an actress and costume designer. She graduated with a BFA in theater from Stephen F. Austin State University. She wrote and acted in her one-woman theatrical adaptation of “A Different Woman: a True Story of A Texas Childhood,” the widely-banned 1925 memoir of Texas schoolteacher Gertrude Beasley. She toured Canada last year to rave reviews. Veronica won a 2012 Big Easy Award for Best Costume Design for her work in The Boys in the Band. She is also a member of Louisiana History Alive where she wows not only with her dead-on impression of notorious madam Josie Arlington, but also with her twenty-inch waist.  You can check out some of her amazing designs HERE.

Trixe Minx: Trixie produces and stars in two New Orleans-based shows: Fleur de Tease Burlesque and Burlesque Ballroom, a weekly event every Friday at the Royal Sonesta Hotel. Trixie is also a member of the New Orleans Bingo! Show. Known for her comic inspired strip tease, she has toured with Comic Relief and recently was named to the HEEB Top 100 for outstanding comedy.

And I also would like to thank:

The Mint: Greg Lambousy for his help with my lecture and connecting me with the Cabildo.

The Cabildo:  Turry Flucker & Arthur Smith for their help in marketing and promotion.

Tulane UniversityJoel Dinerstein, who first let me do a project on the Mascot and helped me shape my original narrative. Barry Ahearn, who still lets me come by his office and bend his ear. Judith Schaffer, Lee Miller and Sean Benjamin from the Louisiana Research Collection who always graciously pull books, manuscripts, and magazines for me. Wes Lucas from the microfilm room who always lets me be chatty or work silently. Ashley Perkins in alumni affairs for helping promote and for always being my style barometer. Kimberly Glorioso from the Law Library who helps me research hundred-year-old cases.  Sheldon Jones in tech services for loaning me equipment and always helping with my computer needs. Richard Campanella who is always generous with his knowledge.

New Orleans Public Library: Irene Wainwright who pulls case files, mugshots, and documents for me.

Friends: Chris Wiltz, an excellent writer who has been my friend and mentor for years. Lori Tipton and Andy Overslaugh for their enthusiasm and hosting at Flanagans. Scott Frilot for his creative generosity and excellent postcard design. Bill Asher for designing my program. Glenn May who goes uncredited for so many things but never should. John Haffner who always lends a hand for whatever I need and helps make things possible. And especially Kathryn Hobgood Ray who was the inspiration for me giving my lecture and who is one of my favorite individuals on the planet.

Plus….thank YOU, reader, and thanks to all who came to my lecture.  Stay tuned for more!

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The Real Artist

Louis helps me be a better artist.

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A little more press

Here is a little more press on my May 10th lecture at the Cabildo.

Tulane Calendar

The Times-Pic’s Lagniappe from May 4th:

It’s also in the Gambit, and oh yea… I will be on WWOZ on Wednesday, May 9th around 12:30 pm for the New Orleans Music Show with George Ingmire. God help us all!

Friday afternoon, I went and visited with Richard Campanella for awhile – kinda burst in his office to say hello. He’s one of my favorite historians and I am a fan of his books. I had been emailing him with questions for the last six months, and met him briefly at a lecture, but it was nice to hang out with him and talk history with him. He was very funny and extremely knowledgable and calmed me down a bit about my lecture.

And here is my random thought for the day:

I am thankful for the cardinals that visit my backyard, and my hammock on my porch, and my friends and animals who sit there and visit with me. I could not exist without all of them.

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Hope and New Orleans?

Yesterday was a bad day. One of those beaten-down days. One of those balancing-act days where you are so exhausted and so worn out that you feel like falling off the metaphorical edge is the only way you are going to get some rest.

I was working on my final paper for class (truthfully, I was supposed to be doing something else but it got horribly derailed – by – I will say it – someone else’s total incompetence). But it was a quiet night and I was making some headway in my work and trying to stay focused..

I took a break to check my email which I had not looked at for most of the day and I saw, among many others, an email that someone had sent me just twenty minutes prior with “Hope and New Orleans” in the subject box.

The email he sent me aroused the quintessential definition of mixed emotions. He was walking into Whole Foods and he saw one of my pieces and was moved and wanted to buy it. That’s always good. But… He was a middle school teacher and the reason why he wanted it was because one of their students was killed on Friday – a fifteen-year old boy. Brandon. He was shot in the back of the head walking home from a pick-up basketball game. He liked sports and his family. I remembered sitting in my hammock on my back porch Saturday morning and reading that story in the newspaper, probably doing what most people do – a brief pause, a deep sigh for the family and loved ones, a shake of the head for the whole senselessness of it all – and then getting back to the day. They broke the news to the school that afternoon (Monday) and, of course, everyone took it pretty hard. But that alone was not why he wanted the photograph.

That same afternoon they discovered that his fifteen-year-old girlfriend had also been gunned down. A homeless man discovered her “bullet-ridden” body. 15 YEAR OLD BULLET-RIDDEN BODY. Her name was Christine. She wanted to open a group home that would empower girls. They were planning to break the news to the students this morning. He wanted to use my piece as a centerpiece of a shrine that students could leave letters and notes and pictures. Maybe help them heal.

I gave him a big discount on the piece and then felt bad it wasn’t bigger.

And I felt a bit helpless. I try to imagine what their families must feel and what they must be going through, as they thought of “never again”…  Never again will I see her. Never again will I touch him. Never again will I hear them laugh. Never again will I dream of their future. NEVER AGAIN. And whole generations end with a bullet.

And the teacher sent me a photo this morning with the flowers and letters around my photo – but I feel a bit odd about posting it, so I won’t. Something I want to keep close to me.

But I HOPE maybe my photo made a difference, and perhaps brought some ease. But I don’t know. I have always believed that art heals. Always – at least for myself. But never thought that my art could. Never ventured outside myself because… why would I? Seriously.

How can art heal gunshot wounds and children in the ground?

I am sorry for their family’s loss. I am sorry that we live in this world where the childish panacea is a bullet in a brain.

All I can do is hope.

Hope that something changes.

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Press for May 10th Lecture at the Cabildo

My lecture at the Cabildo on May 10th is just a couple of weeks away and the pressure is mounting – as is the press!

Here is the postcard for the event, designed by Scott Frilot:

This is the museum’s official Facebook Event Page (PLEASE COME!).

This is the museum’s official Events Page.

This is the official press release from the Cabildo:

SPEAKER GIVES THE SCOOP ON AN OLD NEW ORLEANS SCANDAL SHEET
MAY 10 AT THE CABILDO
 
 
The Louisiana State Museum is presenting “Scandal! A Brief and Sensational History of The Mascot, the Most Notorious Newspaper of New Orleans in the Gilded Age” by Sally Asher on Thursday, May 10 at 6 p.m. at the Cabildo, Jackson Square.
 
A professional writer and photographer, Asher holds a master’s degree in English from Tulane University where she is also a graduate student in history.
 
Founded in 1882 by J.S. Bossier, a Civil War veteran who had lost a leg in battle, The Mascot both shocked and delighted readers with its biting satire, sharp gossip, farcical verse and comic illustrations by some of the leading artists of the time.
The Mascot itself was frequently in the news. Stories of crime, scandal and corruption touched off numerous libel suits.  Editors and aggrieved citizens also settled scores with clandestine duels or open gunfights. In 1887, for example, a young machinist who was implicated in an affair with his landlady stormed The Mascot’soffices and shot and killed an editor at his desk. At least two other killings were attributed to the newspaper’s coverage before it ceased publication in 1896. 
 
Asher’s talk will feature readings from The Mascot by Andrew Ward, Veronica Russell and burlesque artist Trixie Minx of Fleur de Tease. The event is free and open to the public as part of the Museum’s “Second Thursdays” evening lecture series.

MORE TO COME!

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Mascot Covers & Illustrations Explained #1

This week I uploaded Mascot covers and illustrations to my facebook page so the public relations director of the Cabildo can choose which one he wants to use for their press release, event page, etc. for my lecture on May 10th.  I did not add any descriptions, but decided this would be the place to put some of the “juicy” unknown ones. The theme of this post is “Frail and Strong Women.” “Frail” women were not called that for their delicate nature, but for their “frail” moral character – prostitutes, lesbians, adulteresses, alcoholics, etc.

Here are just a few odd samples of “small” stories in the Mascot.

COWHIDED

The Mascot; August 11, 1894

The Mascot delights to hear of girls taking their own part and inflicting summary and coudign punishment upon blackguards that have insulted them. If girls took the law into their own hands more frequently than they do, blackguards would profit from the example set them and girls would be free from insult when they walk the streets. There are a lot of fellows who stand on Canal street ogling, eyeing and insulting every girl that passes, who would benefit considerably if some brave girls would cowhide two or three of them.

Apparently, a John Geary of the Seventh District, a well-known “masher” or “dude” (slang for a “player”) made a remark about Marie Gross. Her sister Delia was so enraged that she armed herself with a “stout whip” and waited for him to pass and when he did she wailed on him.

A number of people were attracted by Geary’s shouts and ran out to try to save him from the justly infuriated damsels, but the neighbors’ entreaties to desist only had the effect of causing the girls to ply their whip with greater vigor. Geary was covered with welts and bruises from head to toe.

The sisters were charged with assault and battery. Marie Gross filed an affidavit against Geary for slander.

BAG AND BAGGAGE

The Mascot; December 26, 1891

Two women scandalously lived together on Rousseau Street.

They had exchanged little feminine confidences, told one another their love secrets, together torn to tatters the reputations of their neighbors, in short, they were as intimate as two women ever can possibly be.

“Molly” owned the lease to the house and the two women lived together quietly like “two turtle doves” until “Cupid entered the household” in the form of a young milkman and he brought “jealousy as his companion.”

Every morning their milk was brought to the door by an old man; one day a good-looking young man took his place; both noted his handsome, healthy appearance, both fell in love with him, and thereafter they had a race every morning to get up early and take the milk from the young man’s hands. After a few days of silent rivalry, they fell out about the matter and had a stormy time. Each accused the other of flirting with the dispenser of the lactral fluid; words were succeeded by blows and scratching.

Molly won the fight and threw the other woman out of her house as well as her belongings: petticoats, chemises, bustles, shoes, stockings, hairpins, hats, bodices, skirts, umbrellas, parasols, false teeth, and many other articles of feminine attire hurled through the air.

LEWD AND ABANDONED

The Mascot; May 21, 1892

 

Emma Johnson was a notorious African American madam who owned a brothel on 20 Gasquet Street in an area of houses that are the receptacles of ordure, flushed by no sewerage system, the effluvium of which mingles with the atmosphere and, on misty days, assails the olfactories of the people. Beneath the iron plates which bridge the gutters stagnates a mass of foetid putridity, which is not removed, but simply hid and ignored.

One Saturday night, Officer Flynn was passing by her business when he noticed Johnson sitting at her open window thus violating the ordinance compelling such characters to keep their blinds drawn. Flynn ordered her to shut her blinds which Johnson retaliated by calling him “vile names.” He left to deal with two drunk men on the corner and as he was returning noticed Johnson calling to several men on the street, all who entered her establishment. He arrested her – immune to threats, bribery, and escape attempts. Johnson was fined $20.

SHE WORE PANTS

The Mascot; October 14, 1893

It is a strange things, but yet a truth, that many girls wish they were men. They often don male attire and put on a fierce false mustache on their upper lip and feel that they are the most attractive dudes that ever put on a pair of pants. Men also at times masquerade as women. Some horrid stories are current of things who at times are dressed as men, but who at night are to be found at a house on Lafayette strreet attired as fashionably dressed women. Their conduct is said to be disgusting in the extreme and the MASCOT will in a short time give a full expose of the dirty methods carried on by the wolves in sheep’s clothing.

Some women are so gifted with powers so masculine as to make them more than half men. The trial of the *Mitchell girl in Memphis* had done much to show that women in their dispositions often are more masculine than feminine – they might be termed neuter. In New Orleans during Mardi Gras girls often masqueraded as boys, but why should they do so at other times seems strange. Yet a possessing young lady who lives in Carrollton, named Zelda Hartman, has been of late putting on pants and going among the young girls making fools of them. It is said she has learned some queer secrets while masquerading as a boy. Some fun may be expected, as Zelda is accused of having talked some scandal about a lady, and the matter will be brought into court. 

* Interesting side note, I did some research and discovered that the year before, in 1892, an Alice Mitchell cut the throat of Freda Ward with a razor, killing her because she had broken off of their engagement. The trial made headlines across the country. Mitchell and Ward had planned to marry, with Mitchell disguising herself as a man. When Ward’s sister found out she stopped their planned elopement sending Mitchell into total despair. One day, Ward and her sister Josephine where riding in a carriage when Mitchell leapt into the carriage, pulled a razor from the folds of her dress and slit Ward’s throat. At Mitchell’s trial she declared that “All I wanted to do was to cut her so as to kill. I loved her better than any one in the world.” She intended to kill Ward and then herself, but Josephine struck Mitchell over the head with her umbrella. Mitchell was later declared insane.

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All that Glitters is GOLD!

Where y’at this Friday night?!  Come out to Republic at 828 South Peters in the Warehouse District on April 20th for All That Glitters is Gold, the Big Easy Rollergirls’ first fantastic fundraiser of the year! The action kicks off at 7PM!

All That Glitters is Gold will feature a rollergirl talent show, silent auction, and the DJ stylings of THE REAL STEVEN. I am donating a piece to the auction so here’s your chance to bid on something and possibly say you beat a rollergirl for it!

Of course, my main reason for going is to see the Underalls and the Overalls, a band with Em, Slaughter, lacy, Harm, and Bea! Late one night, after a few cocktails at le Bon Temps, I swore to Bea that if she ever played in a band that I would be her groupie. And I fully intend to keep my promise!

Photo Courtesy of Allyson O'Keefe Photography

Geaux Plates will also be parked out front to cater to your cravings and the bar will be offering drink specials to the tune of $2 Miller High Life and $4 well drinks!

Tickets are $10 IN ADVANCE or $12 at the door.

Come out, have some drinks, witness the spellbinding talents of rollergirls off the track, and support your local roller derby!

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