Movin’ on up!

This weekend I moved into my new studio space on N. Robertson in the Upper Ninth Ward. It’s a gorgeous old building, and while it is still in its sleepy state of construction – it’s a surplus of photographic opportunities: brick walls, pillars, Fatal-Attractionish elevator, narrow metal stairs that seem to lead you to a drunken illusion, and lonely studios that will soon be filled with whatever an artist imagines.

Outside my studio - a good sign?

 

 

 

With the help of friends, I moved in my first big load: three sets of old gym lockers, and some old chairs from the Saenger Theatre that spell out the words BBQ on the sides. This load also came with bins and bins of wood, chemicals, screens, and tools.

 

My goal for this space – aside from capturing some sui generis photos and videos – is to make it a working studio. Paint, build frames, screen photos onto hemp, make cast acrylic resin molds, and generally be able to make a huge mess without worrying about getting any of it on my kitchen counters or dining room table.

 

The beginning...

So, I am excited. And anxious. And frustrated that life can’t stop for me to be able to do whatever the hell I want. But there is always time…

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Lucky Girl

This picture reminds me on how lucky I am to not only be doing what I want, but that I am surrounded by others who are so supportive. That means everything to me!

Me and Django

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Art for Art’s Sake

Yes, every year I complain about the crowds, but every year I go. I can’t help it. It’s a good time – perfect opportunity to people watch, view art, hang with friends, and enjoy cheap wine from plastic glasses.

Chess solidifies my point!

Art for Art’s Sake is this Saturday, October 1st from 6pm to 9pm. DJ Brice Nice will be on hand.

While the event is mainly held in the Warehouse District on Julia Street (400 to 600 block), there are also many participating galleries citywide and on Magazine Street. I tend to stick to Julia Street and hit all the galleries – especially my 3 favorites:

Arthur Roger on 432-434 Julia Street, who is showing photography and sculptural work by John Waters. I had a chance to go to a private showing and talk of his work about 8 to 10 years ago – and I think I had this permanent laughing-fascinated look plastered to my face the entire time.

LeMieux on  332 Julia Street.

Soren Christensen on 400 Julia Street.

Scenes From Last Year’s Art for Art Sake:

Abby, Steph, Chess

My artistic contribution

Right there!

Chess & the lovely Christy Wood of LeMieux

A Map of This Year’s Galleries.

Stolen from the C.A.C. website

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Bringing the Dread

I am beginning to get the sense that when I approach the same brilliant librarians all over the city, upon seeing me with my arms full of papers and books and a look of confused determination, their chests tighten, their eyes scan for the nearest exit, and they pray I will trip and be rendered unconscious – at least until their shifts end.

I have become too focused on J.S. Bossier. Yes, this is essential, but I need to first finish my chapter on the Van Benthuysen trial…and my synopsis, and my query….

So this is my latest challenge, or as I like to call it, another “five-hour sentence”: A sentence or two, typically unassuming and understated, that takes hours of archival excavation.

In the libel trial I am researching, the editors of the Mascot were sent to prison for contempt of court. Their lawyer, the former governor of Louisiana Francis T. Nicholls, filed a petition for a writ of certiorari. For the non-legal person (like myself) this basically means that a party asks the Supreme Court to review and (and hopefully overturn) a ruling against them. This does happen in my trial (and with a sound scolding from the Supreme Court judges to the lower court judges for being zealous yet ignorant of the law). What tripped me up is this – I also read that currently on average only 1.1% of these cases are overturned. So of course this got me thinking – what was the average for the state of Louisiana in 1882? I can only imagine the percentage was low and this must make the case even more extraordinary for its time…. Which leads me to another five-hour sentence. And another visit to a patient librarian.

 

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Auction for MS – No Bull!

So my dear friend and all-around lovely person Scott Galante is once again participating in Bike MS, a two-day, 150-mile ride that raises money to help find a cure for Multiple Sclerosis.  This week, Scott (along with one of my favorite organizations, NOLA Bulls) is also having a silent auction to benefit the Multiple Sclerosis Society of Louisiana.

The event takes place this Thursday, September 22nd from 6pm to 9pm at Atchafalaya, at 901 Louisiana Avenue. Admission is only $10 and will be directly donated to the MS Society of Louisiana. This price includes not only complimentary hors d’oeuvres and limited beverages (cash bar to follow), but the chance to bid on original artwork from local artists, cycling apparel, wine, gift certificates and much more. AND you will even be able to bid on one of my pieces, a signed and framed 10×10 photo (in a 16×16 frame) that is one of my favorites: “St. Charles.”

St. Charles

Who will the lucky winner be???

I went last year to the event and it was really fun. Excellent yummies – food and company!

If you can’t make the event, you can always show your support by donating to Scott HERE. No amount is too little.

Thanks! Hope to see you out on Thursday!

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When Dear Abby Gets It Wrong: Straight Talk From Fannie & Django

The Debut of a New Column!

Dear Abby, while she may be one of our beloved American icons for delivering advice to the lovelorn, the bemused, and the sometimes demented, it doesn’t mean she is always correct. Here to offer their counter (and correct) opinions on advice that Dear Abby gets wrong, are the sage and spirited Fannie and Django.

September 18, 2011

Fannie’s Response: Dear Goin’ Fishin’,

Of course your wife is being selfish and inconsiderate. Not only was Goldie there first, but she is obviously and unequivocally the superior companion on this sort of expedition.  Without submitting to a very long list of other incidents where I am sure Goldie is a finer partner than your wife (and trust me, the list is long) let me ask you this – Does Goldie complain about the amount of beer you drink? Does she ever say she’s cold or worried that she’s missing “Desperate Housewives”? Does she fret about the sea air messing up her beautiful hair? Does she cringe and ask every time you put a worm on a hook, “Eww, how can you do that?” Does she whine about having to pee outside? Does she demand that you switch the radio station from sports talk to pop music? Does she bore you with talk about the bitch in her office whose low-cut blouses and short skirts attract all the flies and penises? I guarantee you the answer is NO!

I suggest buying your wife a small “pup tent” and letting her sleep outside if she wishes to go because the real pup will be sleeping on the bed.

Django’s Response: Dear Goin’ Fishin’,

I disagree. With a little compromise and some moving of pillows, I’m sure there is enough room on the bed for everyone to snuggle and have pleasant dreams after an adventurous day on the lake.

Fannie’s Counter Response to Django: Well, I know where you’re NOT sleeping tonight.

Straight Talk From Fannie & Django Masthead by Scott Frilot

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Happy Birthday BERG

Five years ago today, the Big Easy Rollergirls had its first bout. This happened before roller derby was featured in commercials, and on the news, and in everyday vernacular. This came after two years of hard work and a year after the biggest national disaster to ever hit the United States. This happened because of the hard work of a few individuals.

From the founders:

Kate Parker (Cherry Pi), Laura Mogg (little maSCARa) and Jeannie Detweiler (Galaxy Grrl).

And the original members – the few who were with BERG before the storm and after:

Melissa Hall (Marquee de Squad), Jocelyn Wright (Jaws), Veronica Russell (Vandal O’Riley), Abby Van Deerlin (Sophie Nuke’Em) and me (SmasHer).

Thank you, ladies. I am proud of all of you and everything you did, and I am proud of all the achievements by everyone who followed. And congratulations, for everything you…we…have acheived. I love the Big Easy Rollergirls and am proud to have been a part of it.

Roller Derby Changes Lives.

Here are some things I would like to share – a “favorite moments” blog post from 2006, and three articles I wrote that discuss the history of Big Easy Rollergirls.

Favorite Moments From The First Bout

BERG Season Preview – Antigravity, October 2007

USA Rollersports Magazine – Winter 2007

Where Y’at – July 2006

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Shooting Tomatoes

Shooting the New Orleans band The Tomatoes is something I always enjoy. Good music aside, they always supply a contagious energy that translates easily into great photographs (it’s there – it’s just up to me to try and capture it).

The Tomatoes

I have shot them in many venues before (my favorite being Chaz Fest 2009) so I was excited to shoot them at the House of Blues for 92.3’s concert. NOLA Experience had kept me busy all week – where incoming freshmen at Tulane University come a week early to experience and learn about New Orleans. It’s a positive program; among other things, I’ve shot in the swamp, on the levees of Holy Cross, covered in beignet powdered sugar, in a buggy, underneath King Kong, and over a hot frying pan of blackened fish. Every day, each shoot requires careful planning and packing of the camera bag. Despite the pulverizing heat and tight schedule, I was pleased to escape any technical slipups that week. Maybe this minor success made me lazy? Or hopefully, just momentarily stupid by reason of exhaustion. Five minutes before the show I realized that while I had remembered to charge and pack my Quantum Battery Charger to guarantee a stronger and quicker flash, I had forgotten my flash. This changed everything. To compensate I upped my ISO, set my f-stop at around 2.8-3.2, crossed my fingers, and hoped that Scott’s nonchalant suggestion of creating “arty” photos came true.

House of Blues graciously gave me a photo pass and I was excited to wander into spaces with my camera that normally I would not be able to go… but what difference would this make without a flash? The Tomatoes, of course, didn’t disappoint and their 30-minute set was high-powered and dynamic, but they were continually bathed in red light. A double conspiracy – blanket the stage in red light – and then hit one or two of them (usually Will or Scott) with a white light that made them look like, through a camera lens, well… mushed tomatoes. Cuss and shoot. Cuss and shoot. Cuss and shoot.

RED LIGHTS ARE THE DEVIL!

Untouched Mushed Tomato

Even at a Photoshop conference I attended in Florida last year, the creators said that the only way to fix red light was to transform them into black and white photos. True dat. The regular red light, when illuminating the stage, created a look that was a distinct matter of taste. Red lights? Blue lights? Green lights? Simply personal preference. But the double strike of red lights and spotlight – the only way to fix any of the red plastic mush photos was to change them to black and white – and even then some were unfixable. I even sent samples of “bad red lights” and “good red lights” to Photoshop guru Scott Frilot, who agreed. So this explains the dominance of black and white photos in the Tomatoes set (although I do love this medium). I just wish the photos were changed because of my personal artistic preference – not by an artistic hostage situation created by a red-light loving light operator. Despite everything, I am overall pleased with the photos. A fun new challenge.

Red Light I Can Live With

But here is my point… I have an opportunity to try this again – and pray that not only will I remember my flash, but that also the light situation won’t be similar.

The Tomatoes are playing this Thursday, September 15th at One Eyed Jacks. They play in between two great bands, the local band Mahayla and the Meat Puppets. Check them out if you can – they will be debuting a new song, “The Days Go By” which you can preview HERE.

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Photographers – Know Your Rights

To quote a song from one of my favorite bands – the Clash

Know your rights; These are your rights.

Below is an excellent article by the American Civil Liberties Union (ACLU) on photographers’ rights:

Your rights as a photographer:

When in public spaces where you are lawfully present you have the right to photograph anything that is in plain view. That includes pictures of federal buildings, transportation facilities, and police. Such photography is a form of public oversight over the government and is important in a free society.

If you are stopped or detained for taking photographs:When you are on private property, the property owner may set rules about the taking of photographs. If you disobey the property owner’s rules, they can order you off their property (and have you arrested for trespassing if you do not comply).

Police officers may not generally confiscate or demand to view your photographs or video without a warrant.If you are arrested, the contents of your phone may be scrutinized by the police, although their constitutional power to do so remains unsettled. In addition, it is possible that courts may approve the seizure of a camera in some circumstances if police have a reasonable, good-faith belief that it contains evidence of a crime by someone other than the police themselves (it is unsettled whether they still need a warrant to view them).

Police may not delete your photographs or video under any circumstances.

Police officers may legitimately order citizens to cease activities that are truly interfering with legitimate law enforcement operations. Professional officers, however, realize that such operations are subject to public scrutiny, including by citizens photographing them.

Note that the right to photograph does not give you a right to break any other laws. For example, if you are trespassing to take photographs, you may still be charged with trespass.

  • Always remain polite and never physically resist a police officer.
  • If stopped for photography, the right question to ask is, “am I free to go?” If the officer says no, then you are being detained, something that under the law an officer cannot do without reasonable suspicion that you have or are about to commit a crime or are in the process of doing so. Until you ask to leave, your being stopped is considered voluntary under the law and is legal.
  • If you are detained, politely ask what crime you are suspected of committing, and remind the officer that taking photographs is your right under the First Amendment and does not constitute reasonable suspicion of criminal activity.

Special considerations when videotaping:

With regards to videotaping, there is an important legal distinction between a visual photographic record (fully protected) and the audio portion of a videotape, which some states have tried to regulate under state wiretapping laws.

  • Such laws are generally intended to accomplish the important privacy-protecting goal of prohibiting audio “bugging” of private conversations. However, in nearly all cases audio recording the police is legal.
  • In states that allow recording with the consent of just one party to the conversation, you can tape your own interactions with officers without violating wiretap statutes (since you are one of the parties).
  • In situations where you are an observer but not a part of the conversation, or in states where all parties to a conversation must consent to taping, the legality of taping will depend on whether the state’s prohibition on taping applies only when there is a reasonable expectation of privacy. But that is the case in nearly all states, and no state court has held that police officers performing their job in public have a reasonable expectation. The state of Illinois makes the recording illegal regardless of whether there is an expectation of privacy, but the ACLU of Illinois is challenging that statute in court as a violation of the First Amendment.
  • The ACLU believes that laws that ban the taping of public officials’ public statements without their consent violate the First Amendment. A summary of state wiretapping laws can be found here.

Photography at the airport

Photography has also served as an important check on government power in the airline security context.

The Transportation Security Agency (TSA) acknowledges that photography is permitted in and around airline security checkpoints as long as you’re not interfering with the screening process. The agency does ask that its security monitors not be photographed, though it is not clear whether they have any legal basis for such a restriction when the monitors are plainly viewable by the traveling public.

The TSA also warns that local or airport regulations may impose restrictions that the TSA does not. It is difficult to determine if any localities or airport authorities actually have such rules. If you are told you cannot take photographs in an airport you should ask what the legal authority for that rule is.

The ACLU does not believe that restrictions on photography in the public areas of publicly operated airports are constitutional.

Thank you, ACLU. You can donate HERE to the ALCU so they can continue to help us protect our basic freedoms.

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Keeping with the duel theme

These are test shots for pictures I will be setting up later this week. New Orleans never ceases to amaze me with its constant sources of inspiration.

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